Genre: Technical/Progressive Death Metal/Metalcore
Label: Myriad
Date of Release: January 21, 2013
TECH DEATH TITANS
The
Schoenberg Automaton is quite a seemingly lengthy title for a band, as well as a strange
one. It literally translates out as a self-operating mechanism named after
famous Austrian composer Arnold Schoenberg. However, as well as it is odd, it
also fits with the technical death metal and deathcore that the quintet has to
show to its audience: Mathematical and wondrously odd. The band started to take
off with this sound since forming in 2009 from Brisbane, Australia, where
members of other acts such as Empyrean and Function Cease joined in. Late 2010
saw the release of the band’s first self-titled EP under Myriad Records, where
the three tracks are not only chaotic and very enjoyable, but also show that
the quintet had a lot of potential under their belts. Later, in early 2013, the
group released their debut full-length record simply entitled “Vela.” The
Schoenberg Automaton has made its return, this time with ten tracks loaded, to
crush listeners with an onslaught of progressive and technical modern death
metal.
The
musicianship, within all of its elements, is excellent. The vocals range
effortlessly from brutal growls to aggressive roars to wicked high-pitches. They
are diverse in their attack, and it is demonstrated nicely in “Vela” without
overdoing it. The guitars also are done incredibly, which also possess a great
range stretching from heavy riffs to very rapid-fire and complex licks,
providing a great balance to keep the audience intrigued by its chaos. They are
very explosive and enticing in their complexity, melodies, and heavy moments,
and they certainly do serve as one of the album’s greatest highlights. The
drums also play their part greatly, retaining solidity and legitimate structure
while being able to go into technical rapid-fire mode without sounding jumbled.
The sound production is crisp, but makes the instrumentalism sound natural and
potent as well. Overall, the vocals and instruments, mixed in with some solid
production, do more than hold up well in this effort.
Like
the preceding EP, “Vela” is packed with a potent metallic mix of technicality,
progressiveness, and brutality, and it is done very well. The music overall is
solidly structured, and the same thing for the drums can be said for the band’s
metallic assault here: It balances perfectly between solidity and complexity,
and it pretty much never overdoes it on either side of the spectrum. The
formula itself doesn’t necessarily break any true molds for the modern death
metal realm, but nonetheless, it is done excellently. All aspects of the
musicianship described earlier individually shine on their own, yet combine to
create a stellar musical effort mixed in with the rock-solid structures and
potent formula. Another thing that this stellar effort should be praised for is
its surplus of very gripping moments, worthy of repeating over and over again on
your MP3 players or radios. The music overall does not compromise solidity for
technicality, a common pitfall for technical death metal and deathcore bands
nowadays, and the end result is some great and very solid technical and
progressive death metal with some punchy quirks to go along with it.
In
regards to the lyrical content, don’t let the rather goofy song titles fool
you; the lyrics found in this album are quite scientific in the topics they are
based on. They focus on lyrical themes of technology and human logic and
existence. Although a typical subject focused on lyrically by modern
progressive and technical metal bands today, they are rather provocative and
interesting to read, and they match the complex style of the music perfectly. Another
thing that fits well with the chaotic tracks of “Vela” is the simple but cybernetic
album cover. In terms of both the lyrics and artwork, The Schoenberg Automaton
succeeds as well as they do with their powerful tech metal tracks.
After
an EP that had a great load of potential in its wake, “Vela” proved to be a
stellar follow-up. The musicianship alone is great, from the wicked vocals to
the explosive guitar work to the potent drum play. On top of that, the
technical metal that this album conjures up is gripping and solid as it is complex
in terms of structure without losing flow. The lyrics are also rather
intriguing to simply read off the paper, and the album cover is cool to look
at, so these two elements serve as icing to the cake. Overall, “Vela” is not
necessarily a perfect record, since, as stated earlier, it does not necessarily
stand out of the technical or progressive deathcore crowd as an entity of its
own, but even so, the band certainly does it incredibly well. Fans of the
band’s preceding EP will find a lot to like in this album, and fans of
well-crafted technical and progressive death metal will certainly enjoy it. From
all of this, it’s rather official that The Schoenberg Automaton has made a fine
release.
Score: 8.5/10 (Great+)