Italian
rock-stars Lacuna Coil formed in Milan back in 1994, but their moniker remains
well-known. Their fusion of gothic metal and alternative rock has become a
staple in the music world, and they’ve grown to be one of the most famous of their
kind; albums such as “Karmacode” in 2006 and “Dark Adrenaline” in 2012 have
scored relatively high positions on rock charts worldwide, and the band itself
grown a massive following over the decades. In 2016, their eighth full-length
record “Delirium” would be added to their long-lived collection.
Lacuna
Coil has always been a mixed bag in my eyes. Singles including “Trip the
Darkness” and their cover of Depeche Mode’s “Enjoy the Silence” are rather
solid, and their music had this interestingly dark atmosphere to them overall. On the other hand, their last full-length release “Broken Crown Halo”
was a complete drag. The musicianship was dull, the production was weak and
blurry, and the songs themselves were utterly soulless and forgettable; simply
put, listening to it was a chore. Now that their latest album has hit the
shelves recently, I figured I should at least give the band another try, and
gave the record a couple listens. Although
it is a notable step up from some of the band’s previous work, it still leaves
a lot to be desired.
For starters, aside from the vocals, the
musicianship is very lacking. The guitars are
particularly bland; they're quite generic and repetitive, mostly consisting of
one-dimensional djent-like riffs and chugs with little energy or ferocity to
them. Once in a while there’s a guitar solo inserted to breathe more life into
the music, but even then, they sound so pedestrian in context of the heavy rock genre
that they have no effect. The same goes for the drums; I actually played through
a few of the songs on my electronic kit, but after about thirty second, I found
myself getting bored. Not that the percussion has to boast any complex patterns
and whatnot, but just like with the guitars, they sound so flat and simplistic
that they leave little to no impression whatsoever.
Speaking
of sound, the mixing in "Delirium" is watered down and somewhat uneven at
times. The album was produced by Marco Coti Zelati (The band’s guitarist,
bassist, and keyboardist), and while his mixing in here is an improvement
over “Broken Crown Halo” (Which had Jay Baumgardner [Seether, Papa Roach] as
its producer), it still comes across as muddy and a bit off. The guitars sound
especially buzzy, particularly during their chugging moments and lower-notes,
examples including “The House of Shame” and “Ultima Ratio,” and the drums have
no meat to them; they lack resonance. On the plus side, however, the vocals
are rather crisp, albeit a little too quiet on occasion. More on those later,
but in the meantime, the mixing comes off as murky and somewhat colorless.
This
leads into to the biggest problem with “Delirium:” How uninspired and
passionless it is. Although said problem isn’t
quite as prominent here as it was in the band’s previous release, it’s definitely still here. There’s this painful
lifelessness to the music that makes it incredibly difficult to get any sort of
emotional impact out of it. The musicianship, production, and writing all feel
so tired and cookie-cutter that personally, I felt almost nothing after
listening to it. Even the majority of the song names themselves are blatantly
generic! Titles such as “You Love Me ‘Cause I Hate You,” “My Demons,” and
“Bleed the Pain” are beyond stereotypical, and the music itself doesn’t help
matters any. Lacuna Coil’s age really seems to be getting the better of them,
with their music’s severe lack of energy and creativity weighing their craft
down tenfold.
To be fair,
however, this isn’t to say that the album doesn’t have a few glimmers of light
to it. For an example, the pre-chorus melody in “Broken Things” does
bring about this gloomy, potent ambiance that the record is clearly trying to
conjure up, courtesy of the guitars and vocals. The choruses in “The House of
Shame,” “Delirium,” and “You Love Me ‘Cause I Hate You” wield decent hooks as
well; Cristina's voice is especially smooth and elegant in these particular
scenes, and it really helps dish out the music's emotional weight. I just wish
the rest of the album held at least just as much energy and emotional
atmosphere; it's heart-breaking to see what could have been an impressively
dark and ambient piece instead come out so tired and toothless.
In addition to that,
one of “Delirium’s” key saving graces are the vocals. Both
the male and female vocals clearly have more energy put into them than the
guitars and drums. Andrea Ferro’s vocals also holds up quite well, an example
being in “Broken Things,” where his roars immediately set the dark tone for the
track, followed by Cristina’s softer but no-less potent singing to help carry
the music’s bleak and somewhat industrial atmosphere. Although they’re not
enough to make up for the album’s mountain of flaws, they prove to be a major redeeming
factor of aforementioned album, at the very least.
BOTTOM
LINE: While “Delirium” fares better than its predecessor, it’s still
a very slightly-above-average record at best. At its worst, it comes off as
bland and ordinary, and that's sadly the realm the album dwells in the most.
Granted, there are some moments of emotional power and noteworthy writing, but
those don't happen often enough for them to make up for the rest of the album's
exhausted pallor. Lacuna Coil’s fire is dangerously close to burning out
for good, and it’s going to take a giant leap forward in order for them to be
able to stand the test of time for much longer. Until then, maybe if you’re a
serious fan of the gothic or alternative rock genres and are very forgiving and
tolerant, this might be worth a shot. Other than that, it’s
not awful, but there are so many other releases out there that are more deserving
of your time; I’d give this one a pass.
“Delirium”
was released on May 27, 2016 on Century Media Records.